To begin: I watched some of the films listed in my Director's Statement (Birdman, Heat, and La Haine) to see how the Directors shot their visions. I focused on camera angles and ways to tell a story visually rather than using dialogue to force it.
One sequence in Heat shows the protagonist driving down a motorway after a suspect, the use of quick edits of the road, passing traffic and rushing noises create a disorientating and confusing effect to create a sense of the fast speeds he is driving at.
A couple of weeks later The Revenant was released which was directed by the same person who helmed Birdman. I went to see the film and noticed that several scenes consisted of the protagonist making their way through some woods cautiously. I paid close attention to these sequences as Grit contains a hunt that takes place in Scene 36 and was curious to see how Iñârritu created tension through the framing and sound.
Tom Hardy in The Revenant (2015) http://www.comingsoon.net/movies/news/611517-the-revenant-still-not-done-shooting-dicaprios-character-says-almost-nothing |
In Grit there are several scenes with three interacting characters, framing a three-shot is something I wasn't entirely sure about as it becomes very easy to cross the line. Birdman tackles this scenario and I made note of how to potentially achieve this.
Still from Birdman [Iñârritu, 2014] |
On top of visual research, I conducted some written ones to find more on the process and responsibilities of directing.
http://filmg.co.uk/files/downloads/Directing-Resource-Notes.pdf |
In Directing: Film Techniques and Aesthestics, author Michael Rabiger explains the process of filming a take:
Directing: Film Techniques and Aesthestics [Rabiger, 2013] |
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