With me I had the script and storyboard along with a cast list so I knew what people I needed.
We managed to film 2 of the 4 shots in the time I had which I'm pretty pleased about but what I regard as the hardest shot (shot 1) wasn't done: that is for the second day.
To create the seamless transition I was after myself, Jamie Terry (the presenter and actor in my trailer) and Sam Mckeown filmed shot 2. I then imported it into my mac and took a single frame of the best clip. I then dragged the still into Photoshop and edited it into a poster thus creating the start point for shot 3. I would then start shot 3 with the camera as close as possible to the poster so that the image filled as much of the frame as possible. I then moved backwards and proceed with the rest of the take.
In terms of editing it makes the edit a whole lot easier with the end of shot 2 and the start of shot 3 being the same thing. I put the two shots into Final Cut Pro and edited them together so I could see whether the transition actually worked before handing them over to Vic to edit. I'd rather know now than wait potentially a week or two to find out I need to reshoot.
The poster created using the still frame. |
Thankfully the edit worked incredibly well and I'm very confident that at this point, the trailer is going to be exactly how I envisioned it and it can pull off the camera tricks flawlessly.
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