2. I'm going to reveal the sources of the sounds through-out the film. As the film progresses sounds you heard will have their sources revealed although it won't be blatant: you'll still have to decipher what comes from where but at least you know where it's coming from.
3. Avoid fade transitions for everything. From the cinema doors closing about 10 seconds in I'm going to have every sound play constantly. Nothing will fade out and disappear from the film, I may lower the volumes to allow other sounds to be heard but no fading out. That way the brain is still picking it up even if the person isn't aware of the sound anymore, this is, to an extent, what I want to do with my original sound piece I made: have it so that it adds to the atmosphere subliminally.
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